Cruel and Unusual, стр. 12
“You need it more than I do. I won't melt,” I said, opening my door.
Marino fetched his navy blue police raincoat and I turned my collar up to my ears. The rain stung my face and coldly tapped the top of my head. Almost instantly, my ears started getting numb. The Dumpster was near the fence, at the outer limits of the pavement, perhaps twenty yards from the back of the grocery store. I noted that the Dumpster opened from the top, not the side.
“Was the door to the Dumpster open or shut when the police got here?” I asked Marino.
“Shut.”
The hood of his raincoat made it difficult for him to look at me without turning his upper body. “You notice there's nothing to step up on.”
He shone a flashlight around the Dumpster. “Also, it was empty. Not a damn thing in it except rust and the carcass of a rat big enough to saddle up and ride.”
“Can you lift the door?”
“Only a couple inches. Most of the ones made like this have a latch on either side. If you're tall enough, you can lift the lid a couple inches and slide your hand down along the edge, continuing to raise the lid by bumping the latches in place a little at a time. Eventually you can get it open far enough to stuff a bag of trash inside. Problem is, the latches on this one don't catch. You'd have to open the lid all the way and let it flop over on the other side, and no way you're going to do that unless you climb up on something.”
“You're what? Six-one or two?”
“Yeah. If I can't open the Dumpster, he couldn't either. The favorite theory at the moment is he carried the body out of the car and leaned it up against the Dumpster while he tried to open the door - the same way you put a bag of garbage down for a minute to free your hands. When he can't get the door open, he hauls ass, leaving the kid and his crap right here on the pavement.”
“He could have dragged him back there in the woods.”
“There's a fence.”
“It's not very high, maybe five feet high,” I pointed out. “At the very least, he could have left the body behind the Dumpster. As it was, if you drove back here, the body was in plain sight.”
Marino looked around in silence, shining the flashlight through the chain-link fence. Raindrops streaked through the narrow beam like a million small nails driven down from heaven. I could barely bend my fingers. My hair was soaked and icy water was trickling down my neck. We returned to the car and he switched the heater up high.
“Trent and his guys are all hung up on the Dumpster theory, the location of its door and so on,” he said. “My personal opinion is the Dumpster's only role in this is it was a damn easel for the squirrel to prop his work of art against.”
I looked out through the rain.
“The point is,” he went on in a hard voice, “he didn't bring the kid back here to conceal the body but to make sure it was found. But the guys with Henrico just don't see it. I not only see it, I feel it like something breathing down the back of my neck.”
I continued staring out at the Dumpster, the image of Eddie Heath's small body propped against it so vivid it was as if I had been present when he was found. The realization struck me suddenly and hard.
“When was the last time you went through the Robyn Naismith case?” I asked.
“It doesn't matter. I remember everything about it,” Marino said, staring straight ahead. “I was waiting to see if it would cross your mind. It hit me the first time I came out here.”
3
That night I built a fire and ate vegetable soup in front of it as freezing rain mixed with snow. I had switched off lamps and drawn draperies back from the sliding glass doors. Grass was frosted white, rhododendron leaves curled tight, winter-bare trees backlit by the moon.
The day had drained me, as if a greedy, dark force had sucked the light right out of my being. I felt the invasive hands of a prison guard named Helen, and smelled the stale stench of hovels that once had housed remorseless, hateful men. I remembered holding slides up to lamplight in a hotel bar in New Orleans at the American Academy of Forensic Sciences' annual meeting. Robyn Naismith's homicide was then unsolved, and to discuss what had been done to her as Mardi Gras revelers loudly drifted past had somehow seemed ghastly.
She had been beaten and bullied, and stabbed to death, it was believed, in her living room. But it was Waddell's postmortem acts that had shocked people most, his uncommon and creepy ritual. After she was dead, he undressed her. If he raped her, there was no evidence of it. His preference, it seemed, was to bite and repeatedly penetrate the fleshier parts of her body with a knife. When her friend from work stopped by to check on her, she found Robyn's battered body propped against the television, head drooping forward, arms by her sides, legs straight out, and clothing piled nearby. She looked like a bloody, life-size doll returned to its place after a session of make-believe and play that had turned into a horror.
The court testimony of a psychiatrist was that after Waddell had murdered her, he was overcome by remorse and had sat talking to her body for perhaps hours. A forensic psychologist for the Commonwealth speculated quite the opposite, that Waddell knew Robyn was a television personality and his act of propping her body against the television set was symbolic. He was watching her on TV again and fantasizing. He was returning her to the medium that had brought about their introduction, and this, of course, implied premeditation. The nuances and twists in the endless analyses got only more complicated with time.
The grotesque display of that twenty-seven-Year-old anchorwoman's body was Waddell's special signature. Now a little boy was dead ten years later and someone had signed his work - on the eve of Waddell's execution - the same way.
I made coffee, poured it into a thermos, and carried it into my study. Sitting at my desk, I booted up my computer and dialed into the one downtown. I had yet to see the printout of the search Margaret had conducted for me, though I suspected it was one of the reports in the depressingly large stack of paperwork that had been in my box late Friday afternoon. The output file, however, would still be on the hard disk.
At the UNIX log-in I typed my user name and password and was greeted by the flashing word mail. Margaret, my computer analyst, had sent me a message.
“Check flesh file,” it read “That's really awful,” I muttered, as if Margaret could hear.
Changing to the directory called Chief, where Margaret routinely directed output and copied files I had requested, I brought up the file she had named Flesh.
It was quite large because Margaret had selected from all manners of death and then merged the data with what she had generated from the Trauma Registry. Unsurprisingly, most of the cases the computer had picked up were accidents in which limbs and tissue had been lost in vehicular crashes and misadventures with machines. Four cases were homicides in which the bodies bore bite marks. Two of those victims had been stabbed, the other two strangled. One of the victims was an adult male, two were adult females, and one was a female only six years old. I jotted down case numbers and ICD-9 codes.
Next I began scanning screen after screen of the Trauma Registry's records of victims who had survived long enough to be admitted to a hospital. I expected the information to be a problem, and it was. Hospitals released patient data only after it had been as sterilized and depersonalized as operating rooms. For purposes of confidentiality, names. Social Security numbers, and other identifiers were stripped away. There was no common link as the person traveled through the paperwork labyrinth of rescue squads, emergency rooms, various police departments, and other agencies. The sorry end of the story was that data about a victim might reside in six different agency data bases and never be matched, especially if there had been any entry errors along the way. It was possible, therefore, for me to discover a case that aroused my interest without having much hope of figuring out who the patient was or if he or she had eventually died.