Bleeding Edge, стр. 57

“That’s it, back to work,” is what, in heedless idiocy, she finds herself unable to much more than croak. But doesn’t move, doesn’t even reach for her bag.

“Here, maybe this’ll be easier,” writing something on a napkin. In a more wholesome, or maybe only earlier, era it might have been the name of a good restaurant, or an idea for a start-up. Today the best you can call this is an invitation to step into airheadedness and error. An address inconvenient to the subway, she notices. “Say about rush hour, better chances for invisibility, that work for you?”

Among many things she hasn’t picked up before is this note in his voice, demanding, not what you’d call especially seductive. And yet still not a deal killer. And what would that have to be, she wonders. He gets up, nods, and splits leaving her with the check. After saying he’d pay for it. What is she thinking, again?

•   •   •

AS IF HE’S A KINDLY angel bringing a last chance to act responsibly, Conkling materializes in the waiting room unannounced, the way he usually does. “Whoo,” Daytona with a dramatic flinch, “scared the shit out of me, what you be lettin all these ghetto-ass g’s walk in here all the time?” Conkling meantime has gone all weird, for his own reasons.

“What. You smell something.”

“That masculine again–9:30 Cologne for Men. Something here is giving off indicia.” Like a hound dog in a jailbreak movie, Conkling follows the sillage into Maxine’s office, zeroing in on her purse. “Pretty slow drydown on this stuff, so it’s from sometime in the last couple hours.”

Oh, what else. Windust. She digs in her bag, brings out the folder he gave her. Conkling riffles the pages. “This is it.”

“Guy I, hmm, just had brunch with, he’s in from D.C.”

“You’re sure there’s no connection here with Lester Traipse?”

“Just somebody I went to college with,” Oh? what’s this, a sudden reluctance to share information with Conkling about Windust? For some reason? That she doesn’t want to get into right now? “Works in middle management now at the EPA, maybe the stuff is on some list of toxic pollutants?”

Her thoughts go wandering off, and nobody tries to summon them back. Did Windust, once in a more sympathetic-juvenile day, actually hang out at the old 9:30 Club the way Maxine did at the Paradise Garage? Maybe on Stateside breaks from doing evil all around the world, maybe he caught Tiny Desk Unit and Bad Brains in their local-band period, maybe the smell of 9:30 Cologne is his last, his only link with the undercorrupted youth he was? Maybe Conkling is coming down with a seasonal allergy and his nose is a little off today? Maybe Maxine is sliding deeper into a sentimental idiocy attack? Maybe’s ass, OK? Circumstantial schmircumstantial, Windust was there when Lester was taken out, and maybe he even did it.

Damn.

What happened to the chances for a giddy romantic episode today? Suddenly it looks a lot more like field research.

Meantime Conkling wants to talk about, who else, Princess Heidrophobia. By the time Maxine is able to get his unwholesomely obsessed ass back out the door, she’s left with a scant half hour to get put together for her, what would you call it, working rendezvous with Windust. Somehow she finds herself home, and immobile in front of the bedroom closet, and wondering why her mind has gone this blank. Polyvinyl chloride, something in bright red perhaps, though not inappropriate, is somehow absent from the inventory. Jeans are out of the question also. At length, deep in, at the event horizon of closet oblivion, she notices a chic cocktail-hour suit in a subdued aubergine shade, discovered long ago at the Galeries Lafayette going-out-of-business sale and kept for reasons that probably don’t include nostalgia. She tries to think of ways in which Windust might read it. If he reads it, if he doesn’t just grab and start ripping . . . Repeated messages from her Vertex, or does she mean Vortex, of Femininity are piling up unanswered.

24

The address is in a far-west-side piece of lower Hell’s Kitchen among trainyard and tunnel approaches plowed indifferently through a neighborhood whose disconnected fragments have been left to survive as they might, lofts, recording studios, pool-table showrooms, movie-equipment rental places, chop shops . . . Wised-up real-estate mavens of Maxine’s acquaintance assure her that this is the next hot neighborhood. Redevelopment is in the air. Someday the Number 7 subway will be extended over here and the Javits Center will have its own stop. Someday there will be parks and soaring condos and luxury tourist hotels. Right now it is still a windswept hard-to-get-to region that visitors from other planets, arriving in centuries to come after New York has been long forgotten, will assume was ceremonial, even religious, used for public spectacles, mass sacrifices, lunch breaks.

Today there is a huge gathering of police up and down 11th Avenue and seething all among the blocks over to Tenth. Maxine is just as happy not to be on foot at the moment. The cabdriver, whose problem this has become, thinks it might be a police exercise, based on a scenario where terrorists take over Javits Center.

“Why,” Maxine wonders, “would anybody want to?”

“Well, spoze it happened during the Auto Show. Then they’d have all those cars and trucks. They could sell off some of that for money to buy bombs and AKs and shit,” the driver clearly with a scenario of his own here, “keep the cool units like the Ferraris and Panozes, use the trucks for military vehicles, oh, and they’d also need to hijack a fleet of car carriers, Peterbilt 378s, somethin like that. And . . . and the really good vintage stuff, Hispano-Suizas, Aston Martins, they could hold them for ransom.”

“‘Give us ten million or we’ll trash this car’?”

“Bend the aerial at least, nothin that would seriously fuck with the resale value, understand.” All around them the Finest flock, swarm, stand guard, run in formation up and down the street. Above in the bright pre-autumnal sky, UFOs carry out their patient cloaked reconnaissance. Now and then a cop with a bullhorn will approach, glaring, and yell at the cab to move on.

Finally they pull up in front of the address, which seems to be a six-story rental building, unfashionable, forsaken, due someday for demolition and replacement by some high-rise condo scheme. At night maybe one lighted window per floor. It reminds her of her own part of town back in the eighties, when the neighborhood was being co-opped. Tenants who can’t or won’t move out. Developers who’re itching to tear the place down acting very unpleasant.

When she hits the buzzer, it seems like ten minutes of being stared and smirked at by a sudden gathering of half the neighborhood, before a shrill noise that could be anything comes out of the undersize speaker.

“It’s me—Maxine.”

“Nnggahh?”

She shouts her name again and peers through the unwashed glass. The door remains unbuzzed. Finally, just as she’s turning away, here comes Windust to open it.

“Buzzer doesn’t work, never has.”

“Thanks for sharing that.”

“Wanted to see how long you’d wait.”

Desolate corridors, unswept and underlit, that stretch on for longer than the building’s outside dimensions would suggest. Walls glisten unhealthily in creepy yellows and grime-inflected greens, colors of medical waste . . . Open to all sorts of penetration besides the squatters who now and then step out into a sight line and immediately back, like targets in a first-person shooter. Carpeting has been removed from the hallways. Leaks are not being fixed. Paint hangs. Fluorescent bulbs on borrowed time buzz purplishly overhead.