Iced, стр. 71

“How do I kill her? Will my sword work?”

“Might. But you’d never get close enough. Her needles are longer than your sword. She’d have your guts in her dress before you even managed to swing it.”

“You said she gets obsessed while she’s knitting.”

“Not that obsessed.”

The ambience in the back alley changes abruptly and it takes me a minute to figure out why. A light just came on in the back of BB&B and is spilling out the window, across the bloodstained snow.

I know what that means. Mac’s moving around inside, looking for Barrons. I imagine it won’t be long before she looks out back to see if his car’s out there.

If Mac walked out that door and tried to kill me right now, I’m not sure how well I’d fight.

I take one last look at Barrons and Ryodan. I have to make this right somehow. I have to balance the scales and there’s a lot weighing in against me.

“Come near me again and I’ll kill you,” I say, soft like Ryodan used to talk.

I freeze-frame into the night.

Thirty-Two

I spend the next two days slapping up terse Dani Dailies that describe the Crimson Hag and her M.O., hunting for Dancer, collecting the rest of the ziplocks I need from the other iced scenes (except for the club beneath Chester’s, which I’m in no hurry to go near), and packing my backpack full of samples. They’re some of the most miserable days of my life. I go up and down like a fecking psychotic elevator being controlled by some fecking psychotic little kid, punching random floor buttons. One second I’m swaggering, the next I’m drooping.

One minute I’m elated because I never have to go to work again. My life is my own. Jo can quit the subclub. She’ll stop wearing sparkly stuff between her boobs and boinking Ryodan. The next minute I remember that if Ryodan’s remaining men learn that I played even one tiny little part in their boss’s death, I’m deader than every doornail in Dublin. On top of that, the Crimson Hag is loose, the Hoar Frost King is still out there, Dublin is slowly turning into Ant-fecking-arctica, Christian and me are on the outs, and now Mac has double the reasons to kill me, assuming she knows.

I can’t decide if she knows. One minute I think she does, the next I don’t.

The bodies are gone. I went back in the middle of the night to hide them. I should have hidden them right away but I wasn’t thinking clear. Aside from blood in the alley and up the brick wall, no trace of them remained.

At first I thought Mac must have found and taken them somewhere for a proper burial, but then I decided she didn’t, because yesterday I saw her hurrying down the street toward Chester’s, all bundled up and shivering in the cold, and she didn’t look sad. I’ve seen Mac sad. I know what it looks like. She looked a little tense but otherwise normal. She had a trail of ZEWs behind her, chittering away. I wonder if, like crows, the ZEWs are harbingers of death. It worries me they’re following Mac. Her tension is probably because of what’s happening to Dublin. Everybody I’m seeing is tense. And shivering. It’s ten degrees in Dublin during the day, even colder at night. Snow’s been falling, piling up. The city isn’t set up to handle this kind of weather. Lots of folks don’t have power where they’re staying. They won’t survive these conditions long.

I wonder if the Crimson Hag ate Barrons’s and Ryodan’s bodies. Stitched up their entrails then dined on the rest. I’d think she’d have spit up a few bones but maybe she needed them all to spruce up her corset. Then I figured Christian probably went back to tidy up and hide the evidence. Trying to get on my good side again or something.

I wonder where the heck Dancer is! I need his superbrain to help me crunch the facts so I can save my city from turning into an iceberg. So then I can save folks from getting knitted up into a dress.

I got two more places to check for him, then I’m out of places to hunt.

I freeze-frame up O’Connell, yanking WeCare posters off streetlamps as I go. Stupid fecking stupid feckers are trying to take advantage of people not having power, encouraging them to come into prayer meetings, to get warm and “take the white.” I didn’t know what that meant till I saw a couple folks coming out of one of the churches the WeCare people have designated as their own, wearing long white robes over their clothes.

They were carrying bags of canned goods and smiling. In my experience, anybody besides your mom that feeds you is going to want something in exchange for it.

I whiz up to Dancer’s penthouse, where we like to stretch out in the sun, disarm his booby traps and poke my head in the door, calling for him. The place is silent and empty. I decide to see if he’s got any food in the pantry ’cause I’m starving. When I get there, I crack up. There’s a note taped to a stack of cans sitting smack in the middle of the floor. It’s a cryptogram. It’s how we leave messages for each other.

I pop open can after can of beanie weenies and gorge while I solve the puzzle that tells me where he is.

There’s a lot hidden away in Dublin, just like out at the abbey. When I first started hanging out in the city, I got one of those sightseeing books and visited all the hot spots like any tourist. I was embarrassed to be a stranger in my own town, never having been out of my cage much. I wanted to know everything everybody else knew, see it all with my own eyeballs instead of watching it on TV or reading about it in a book.

I went to Trinity College and toured all the cool stuff there. I never got to go to school so it was neat to see the classrooms and labs and libraries and folks being all social instead of being kept by themselves all the time. I couldn’t wrap my brain around growing up that way. Mom taught me to read. I taught myself the rest.

I hit up the museums, dropped by the brewery, hung out in Temple Bar, visited the catacombs beneath Christ Church Cathedral and St. Michan’s Church, and eventually hunted down the underground rivers. I listened when college kids raved about their favorite places and went there, too. I paid attention when old folks talked on the streets about things that used to be.

That’s how I found Dublin-down. Couple of wrinkly old dudes playing checkers by River Liffey used to work for a mob family and knew some interesting stuff. Beneath a restaurant run by a dude name of Rocky O’Bannion, this big-time mobster that disappeared last year in the craziness of the walls coming down, I found it. A honeycomb of tunnels and hidden crypts beyond a pile of rubble and a series of grated entrances so complex only someone as curious as me or a criminal trying to hide bodies and booty would ever have gone through. Dancer and me mapped out parts but we still got a lot to explore.

That’s where I find him now, in one of the underground catacombs, down a collapsed tunnel (unless you knew how to find the hidden detour) beyond bolted steel doors, hinged into stone, all booby-trapped.

The room he’s in is long and narrow and made completely of stone, with those old vaulted fornix ceilings, supported by massive columns, like I only ever seen in ancient crypts and the library at the abbey. He’s got lights set up that I figure have to be battery-powered ’cause I don’t hear a generator, and setting one up to vent down here would take a lot of work. He’s standing behind a stone slab that used to hold a corpse but is now covered with notebooks and envelopes, laptops, bottles, beakers, and burners. Yep, this place is Dancer, just missing a TV to watch movies on, a fridge and shower, and knowing him, he probably has a hidey-hole rigged up nearby with all the conveniences. Another slab is crammed with bottled water and food. His head is down and he’s working on something, deep in thought.