Abarat: The First Book of Hours, стр. 41

From somewhere deep inside her a great—and unforeseen—surge of joy appeared.

Out of sheer pleasure she started to sing as she went. It wasn’t a song from the Hereafter that came to her lips. It was the absurd little ditty she’d heard the Sea-Skippers sing.

For some uncanny reason she remembered it perfectly, as though she’d known it all her life, which was of course impossible. Yet here it was, coming to her lips as easily as some rhyme she’d been taught at kindergarten.

Oh, well, she thought as she gave the song full throat, there’s another mystery.

And content that somewhere on the journey ahead she would find the answer to that mystery—along with something to eat—she went on her way, singing of newts and hamster trees.

24. Digger and Dragons

John mischief hadn’t been making an idle boast when he spoke of himself—or more correctly, of themselves, the brothers—as master criminals. During their long felonious career, they had stolen from all manner of places, coming away with all kinds of hauls. Only once had they been arrested, and slipped custody while being transported back to the Yebba Dim Day by throwing themselves overboard.

There were too many thefts for the brothers to remember every one, but there were some that they still liked to revisit in those idle moments of happy self-congratulation. Their burglary of the chateau of Malleus Nyce on Huffell’s Hill, for instance, had been extremely profitable. They’d come away with every costume Nyce had ever worn to the Cacodemonic Carnivals on Soma Plume: sixty-one outfits, all set with precious jewels and sewn with Thread of Sirius. Just a year or so later, they had broken into the prison on Scoriae and stolen all the tattoos off the body of the gangster Monkai-Monkai, leaving him as naked as the day he was born.

Then there had been their picking of the locks on the door of the Repository of Remembrance, that contained one hundred and thirty-one rooms of treasures that had once belonged to the great and the good of the Abarat, going back to the time when the islands were twenty-four Tribal Territories.

Nothing in the Repository had been of any real value. There had been no jewels, no precious metals. But the rooms had contained objects of infinitely more value than wealth. Here, collected and cataloged on the Repository’s shelves was a hoard of the heart: the nursery toys of kings, the playthings of princes, the mud pies that potentates had dreamed would one day be palaces. The potential purchasers of all these objects of lovely inconsequence were the people across the archipelago who still idolized their one-time owners; and the brothers had anticipated making so many millions of zem they would never have to steal another fork.

But it was not to be. Monkai-Monkai had broken out of prison two days later and had come after the brothers and the only way Mischief and his siblings had escaped with their lives was by handing over their booty from the Repository to him.

But the treasure the brothers had been most proud of stealing, because stealing it had proved so difficult, was a painting known as The Beautiful Moment.

It had hung in what was known as the Stone House, the possession of the sometime lord of the Islands of Day, King Claus. Since the death of his daughter, Claus had become an obsessive eater, and weighed over a thousand pounds. He ate and slept in a vast clockwork car, and had chased the thieves in it when he’d awoken to find his painting being stolen.

That had been a close call. But the brothers had been proud of the job. And indeed so enamored of what they’d stolen that they had almost considered keeping it.

The Beautiful Moment was a lovely thing. Or more correctly, three things; for the artist, a man called Thaddeus George, had painted a triptych that, when laid side by side, portrayed the entire archipelago, immortalized in oils at a time when everyone had had high hopes for the future. King Claus had commissioned the work from Thaddeus six weeks before his daughter’s wedding, taking him up in an air balloon so that he might see the Abarat spread out “at this beautiful moment.”

The world Thaddeus had painted was very different from the Abarat of today. The islands had been very different sixteen years ago. There had been no Commexo City on Pyon. Babilonium had been a modest little collection of tents and fun-fair entertainments (a Ferris wheel, a hall of mirrors, a geek in a cage). The air traffic above the islands had been little more than a few million birds, and the odd balloon, and the sea traffic had consisted chiefly of sailing ships.

In the interest of his art, Thaddeus had also taken some liberties with the size and complexity of the islands. He had left out most of the towns and villages, and the smaller outcroppings, which did not count as Hours, like Vesper’s Rock, had also been omitted.

But even in this much simplified form, Thaddeus’s last known work had been his most ambitious achievement: to look at it was to feel as though you were a bird, hovering over the islands, borne aloft by a balmy wind.

The Johns had made a small fortune from that theft. They had sold the picture to Rojo Pixler. He had paid many thousands of zem, which Mischief assumed he had borrowed, for at the time Pixler had still been a traveling salesman, selling gaudily painted windup toys for children.

The fact that Pixler had probably used The Beautiful Moment as a way to plan his slow but apparently irrevocable takeover of the islands was not lost on the brothers. In the years since Pixler had bought the painting, Pixler’s judgment (and his luck) had been flawless. He was now undoubtedly the most powerful nonmagical creature on the Abarat. Besides Commexo City, which was so vast it was practically a world unto itself, the sometime salesman also owned a controlling share of Babilonium, and was now planning the construction of a pleasure dome, as he described it, at Five O’clock in the Evening. There was even talk of his buying the Great Zigurrat at Soma Plume and deconsecrating it, then turning it into a second city the size of Commexo.

Despite the fact that his public face was the ever-smiling Commexo Kid, Pixler was by no means a sweetheart. Indeed, he had made it known when he purchased the painting that if John Mischief or any of his brothers ever whispered to anyone that the transaction had taken place he would arrange for the whisperer and his brothers to be silenced.

That was the real Rojo Pixler speaking.

So, Mischief and his brothers had kept their mouths shut, and the fact that the painting had gone missing didn’t even make it into the news sheets. Still, there were plenty of other crimes for which the Johns were responsible which continued to be the talk of coffeehouse and mothercake stalls alike, years after they had taken place. It was widely thought that when Mischief and his brothers were finally tracked down and brought to trial, the punishment would be death.

All of which goes to explain why Mischief, exhausted by his travels though he was, and badly wanting to stay close to Candy so as to retrieve the Key she still carried, did not dare remain near the Yebba Dim Day.

Rather than enter The Great Head in pursuit of Candy and risk being recognized inside, he waited instead in the water close to the jetty until all the dramas there were over, and then dragged himself back onto the quay (or what was left of it) in the hope of finding a boat that would carry him away to a less busy island. Somewhere the brothers could relax for a few days and plan their next move.