The Penultimate Peril, стр. 9
NOTA CHAPTER
As I'm sure you've noticed, most of the history of the Baudelaire orphans is organized sequentially, a word which here means "so that the events in the lives of Violet, Klaus, and Sunny Baudelaire are related in the order in which they occurred." In the case of the next three chapters, however, the story is organized simultaneously, which means that you do not have to read the chapters in the order in which they appear. In chapter four, you may find the story of Violet Baudelaire's journey up to the rooftop sunbathing salon, and the unpleasant conversation she had occasion to overhear. In chapter five, you may read about Klaus's experience with certain members of the lumber industry, and a sinister plot that was devised right in front of his nose. And in chapter six, you may see the result of my research into Sunny's dreadful visit to Room 371 and to a mysterious restaurant located on the ninth story. But because all of them occur at the very same time, you need not read the chapters in the sequence four-five-six, but can read them in any order you choose. Or, more sensibly, you could simply skip all three chapters, along with the seven chapters that follow them, and find some other sequential or simultaneous thing with which to occupy your time.
CHAPTER Four
When the elevator finally reached the roof, and the doors slid open to allow her to exit, Violet Baudelaire had two reasons to be grateful that her concierge disguise included sunglasses. For one thing, the rooftop sunbathing salon was very, very bright. The morning fog, so thick when the Baudelaires arrived on Briny Beach, had disappeared, and the rays of the afternoon sun beat down on the entire city, reflecting off every shiny object, from the glistening waters of the sea, which splashed against the opposite side of the hotel, to the surface of the pond, which had settled since Violet had thrown the stone. All along the edge of the roof were large, rectangular mirrors, tilted like the hotel itself, catching the blinding light of the afternoon sun and bouncing it onto the skin of the sunbathing guests. Ten sunbathers, their bare skin coated in thick, sticky lotion, lay without moving on shiny mats arranged around a heated swimming pool, which was so warm that clouds of steam were floating up from the surface. In a corner was an attendant, his eyes covered in green sunglasses and his body covered in a long, baggy robe. He was holding two enormous spatulas, such as might be used to flip pancakes, and from time to time he would reach out with a spatula and flip over one of the sunbathers, so that their bellies and backs would be the same shade of brown. The spatulas, like the mirrors and the mats and the pool, reflected the light of the sun, and Violet was glad her eyes were shielded.
But there was another reason the eldest Baudelaire was grateful for the sunglasses, and it had to do with the person who was waiting impatiently by the doors to the elevator. This person was also wearing sunglasses, although these were much more unusual. Instead of lenses, there were two large cones sticking out from the eyes, getting wider and wider until they stopped, as wide as dinner plates, several feet in front of the person's face. Such a pair of glasses might have concealed the identity of the person who was wearing them, but they were so ridiculous that Violet knew there could be only one person so obsessed with being fashionable that she would wear such ridiculous eyewear, and Violet was grateful that her own identity was concealed.
"Here you are at last," said Esme Squalor. "I thought I'd never see you here."
"Pardon me?" Violet asked nervously.
"Are you deaf, concierge?" Esme demanded. Her scornful frown was lined with silver lipstick, as if she had been drinking molten metal, and she pointed an accusing finger with a long, silver nail. The nails had been filed into individual shapes, so that each hand spelled "E-S-M-E," with the thumbnail carved into the familiar symbol of an eye. The letters were painted to match Esme's sandals, which had long, frilly straps that ran around and around the notorious girlfriend's bare legs like centipedes. The rest of Esme's outfit, I regret to say, consisted of three large leaves of lettuce, attached to her body with tape. If you have ever seen the bathing garment known as the bikini, then you can guess where these pieces of lettuce were attached, and if you cannot guess then I advise you to ask someone of your acquaintance who is not as squeamish as I am about discussing the bodies of villainous women. "Glamorous people like myself don't have time to be nice to the deaf," she snarled. "I rang the concierge bell more than two minutes ago, and I've been waiting the entire time!"
"I can see the headline now," crowed another voice, '"unbelievably glamorous and beautiful woman complains about hotel service!' Wait until the readers of The Daily Punctilio see that!"
Violet was so relieved not to be recognized that she hadn't noticed who was standing next to Count Olaf's treacherous girlfriend. Geraldine Julienne was the irresponsible journalist who had printed so many lies about the Baudelaires, and she wasn't happy to see that the reporter had become one of Esme's sycophants, a word which here means "people who enjoy flattering people who enjoy being flattered."
"I'm sorry, ma'am," Violet said, in as professional a tone as she could muster. "The concierges are particularly busy today. What is it you require?"
"It's not what / require," Esme said, "it's what the adorable little girl in the pool requires."
"I'm not an adorable little girl!" Yet another familiar voice came from the direction of the heated pool, and Violet turned to see Carmelita Spats, a spoiled and unpleasant child the Baudelaires had first encountered at boarding school, who had gone on to join Count Olaf and Esme Squalor in performing treacherous deeds. "I'm a ballplaying cowboy superhero soldier pirate!" she cried, emerging from a cloud of steam. She was wearing an outfit as ridiculous as Esme's, though thankfully it wasn't as revealing. She had on a bright blue jacket, covered with shiny medals such as are given to people for military service, which was unbuttoned to reveal a white shirt that proclaimed the name of a sports team in curly blue letters. Stapled to the back of her jacket was a long, blue cape, and on her feet were a pair of bright blue boots with spurs, which are tiny wheels of spikes used to urge animals to move more quickly than they might otherwise prefer. She had a blue patch covering one of her eyes, and on her head was a blue triangular hat with a skull and crossbones printed on it-the symbol that pirates use while prowling the high seas. Carmelita Spats, of course, was not on the high seas, but had managed to drag a large, wooden boat to the rooftop sunbathing salon so she could prowl a high swimming pool. On the bow of the boat was an ornately carved figurehead, a word which here means "wooden statue of an octopus attacking a man in a diving suit," and there was a tall mast, stretching up toward the sky, which held a billowing sail that had the insignia of an eye matching the one on Count Olaf's ankle. The eldest Baudelaire stared for a moment at this hideous figurehead, but then turned her attention to Carmelita. The last time Violet had seen the unpleasant captain of this boat, she was dressed all in pink, and was announcing herself as a tap-dancing ballerina fairy princess veterinarian, but the eldest Baudelaire could hardly say whether being a ballplaying cowboy superhero soldier pirate was better or worse.